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DataColor SpyderCHECKR

Perfect White Balance and Tint using Color Checker Card, Screencast + Step-by-Step 📹

re: videos by Lloyd
re: white balance and tint

Synopsis: how to shoot a color checker card correctly and then determine the perfect white balance and tint for your camera + lens.

A step-by-step procedure is detailed below the video.

For results from this process with a variety of cameras, see white balance and tint, for example results with the Sony A1 and results with the Fujifilm GFX100S.

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Diglloyd Making Sharp Images is by yearly subscription. Subscribe now for about 13 cents a day ($50/year).
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Diglloyd Making Sharp Images articulates years of best practices and how-to, painstakingly learned over a decade of camera and lens evaluation.

Save yourself those years of trial and error by jump-starting your photographic technical execution when making the image. The best lens or camera is handicapped if the photographer fails to master perfect shot discipline. High-resolution digital cameras are unforgiving of errors, at least if one wants the best possible results.

  • Eases into photographic challenges with an introductory section.
  • Covers aspects of digital sensor technology that relate to getting the best image quality.
  • Technique section discusses every aspect of making a sharp image handheld or on a tripod.
  • Depth of field and how to bypass depth of field limitations via focus stacking.
  • Optical aberrations: what they are, what they look like, and what to do about them.
  • MTF, field curvature, focus shift: insight into the limitations of lab tests and why imaging performance is far more complex than it appears.
  • Optical aberrations: what they are, what they look like, and what to do about them.
  • How to test a lens for a “bad sample”.

Intrigued? See Focusing Zeiss DSLR Lenses For Peak Performance, PART ONE: The Challenges, or (one topic of many) field curvature.

Variants wb6250_8M,wb6250_10M available in full article
f5 @ 1/100 sec, ISO 100; 2024-01-16 15:58:15
Sony A7R V + Sony FE 12-24mm f/2.8 GM @ 24mm
RAW: Enhance Details, LACA corrected, vignetting corrected, WB 6250°K tint 8, push 1 stops, +10 Whites, AI Denoise 10, +10 Vibrance

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